G.P. Telemann – ‘La Chasse’ Tragikomische Suite (1999)

1. Ouverture - D Major - Jubeloratorium fur die Hamburger Admiralitat
2. Suite 'Alster': 1. Overture. Adagio maestoso - Allegro - Adagio
3. Suite 'Alster': 2. Die Kanonierende Pallas. Allegro
4. Suite 'Alster': 3. Das Alster-Echo. Allegretto
5. Suite 'Alster': 4. Die Hamburgischen Glockenspiele
6. Suite 'Alster': 5. Der Schwanen Gesang
7. Suite 'Alster': 6. Der Alster-Schafer Dorfmusik
8. Suite 'Alster': 7. Konzertierende Frosche und Krahen
9. Suite 'Alster': 8. Der ruhende Pan
10. Suite 'Alster': 9. Der jauchzende Pan
11. Suite 'Alster': 10. Der frohlokende Peleus
12. Suite 'Alster': 11. Der Schafer und Nymphen eilfertiger Abzug
13. Suite 'La Musette': 1. Overture. Maestoso - Allegro - Maestoso
14. Suite 'La Musette': 2. Napolitaine - (Trio)
15. Suite 'La Musette': 3. Polonaise
16. Suite 'La Musette': 4. Murky
17. Suite 'La Musette': 5. Menuet - (Trio)
18. Suite 'La Musette': 6. Musette
19. Suite 'La Musette': 7. Harlequinade
20. Suite 'La Chasse': 1. Ouverture. Lento - Allegro - Lento
21. Suite 'La Chasse': 2. Passepied I
22. Suite 'La Chasse': Passepied II
23. Suite 'La Chasse': 3. Sarabande
24. Suite 'La Chasse': Rigaudon
25. Suite 'La Chasse': 5. Le Plaisir
26. Ouverture jointe d'une suite tragi-comique: 1. Ouverture. Lentement - Vile - Lentement
27. Ouverture jointe d'une suite tragi-comique: 2. Le Podagre. Loure
28. Ouverture jointe d'une suite tragi-comique: 3. Remede experimente: la poste et la danse. Menuet en rondeau
29. Ouverture jointe d'une suite tragi-comique: 4. L'hypocondre. Sarabande - Gigue - Sarabande - Bourree - Sarabande
30. Ouverture jointe d'une suite tragi-comique: Remede: souffrance heroique. Marche
31. Ouverture jointe d'une suite tragi-comique: Le petit-maitre. Rondeau
32. Ouverture jointe d'une suite tragi-comique: Remede: petite-maison. Furies

Akademie fur Alte Musik Berlin

French horns play a prominent role in this program of Georg Philipp Telemann's orchestral suites: the 'Alster' Suite is a suite "with horn quartet," and the horns frequently come to the fore in the suite for winds, 'La Chasse.' The hornists of the Berlin Academy of Ancient Music bring expert technique to the whole, and are certainly the stars of this disc.

All of that is not to say, however, that the performances of the rest of the ensemble are at some lower standard. All of the playing is superb, and Telemann's evocative writing is brought to life to great effect. The 'Alster' Suite is particularly ripe with examples of this--the "Concertizing frogs and crows," for one. Yet these vital and varied suites aren't all animal noises. They are above all baroque dance suites which draw on a broad palette of orchestral colors, and the AAM gives them justly splendid performances. ---arkivmusic.com

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