The Ultimate Jazz Archive Vol.87 – Wardell Gray [1946-1949] [2005]

01.Dell’s Bells
02.One For Prez
03.The Man I Love
04.Easy Swing
05.The Great Lie (Part 1& 2)
06.Blue Lou
07.She’s Got The Blues For Sale
08.The Chase
09.How High The Moon
10.C Jam Blues
11.Mary’s Idea
12.Bye Bye Blues Bop
13.Stealin’ Apples
14.Lady Bird
15.Symphonette
16.Shawn
17.The Hucklebuck
18.It’s The Talk Of The Town
19.Bedlam
20.In The Land Of Oo-Bla-Dee

Wardell Gray was one of the top tenors to emerge during the bop era (along with Dexter Gordon and Teddy Edwards). His Lester Young-influenced tone made his playing attractive to swing musicians as well as younger modernists. He grew up in Detroit, playing in local bands as a teenager. Gray was with Earl Hines during 1943-1945, recording with him (1945). That same year, he moved to Los Angeles and he became a major part of the Central Avenue scene, having nightly tenor battles with Dexter Gordon; their recording of "The Chase" was popular. Gray recorded with Charlie Parker in 1947 and yet his style appealed to Benny Goodman, with whom he played the following year. Among his own sessions, his solos on "Twisted" (1949) and "Farmer's Market" (1952) were turned into memorable vocalese by Annie Ross a few years later. Back in New York, Gray played and recorded with Tadd Dameron and the Count Basie septet and big band (1950-1951); "Little Pony," his showcase with the Basie orchestra, is a classic. Gray was featured on some Norman Granz jam sessions ("Apple Jam" has a particularly heated solo) and recorded with Louie Bellson (1952-1953). Ironically, Wardell Gray, who in the late '40s was an inspiration to some younger musicians due to his opposition to drug use, himself became involved in drugs and died mysteriously in Las Vegas on May 25, 1955, when he was just 34. ---Scott Yanow, Rovi

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